Performance Works

Vancouver, BC: The premise of this show had me hooked from the beginning. It's early 17th century England and theatre abounds. Companies of players are performing comedies and tragedies with meaty roles for the players to tackle - but only if the players are men. Women are not allowed to perform and if they risk it and are caught on stage, they are subject to shaming by the church. This gender-based prohibition does not sit well with Miss Judith Shakespeare (Amanda Lisman) the feisty younger daughter of The Bard.  She gathers together her band of female friends in the basement of  The Cave Tavern and persuades them to rehearse with her to perform a play which she writes.

Vancouver, BC: Everything was Blasted ! The protagonists, the set... and I. Knowing what was about to explode on stage before my eyes, I fortified myself with a pre-show glass of wine but that in no way softened the impact of this play. The anger, fear, acts so violent that I closed my eyes, hit me like the ton of the rubble that fell from the ceiling.  Yet Kane's characters are so appallingly grotesque that mercifully I felt emotionally distanced from the pain I was observing.

Vancouver, BC: Pi Theatre’s world premiere production of The 8th Land, directed by John Wright, is truly stunning. Local playwright, William Maranda, melds Polynesian mythology, and cultural theories on the decline of the early Easter Island population with Aeschylean structural forms to create an eerily poetic sense of “other” place and time. Yet issues in this play will resonate with contemporary audiences: conflict between religious dogma and human needs; use of scarce natural resources; personal glory versus survival of a people.

Vancouver, BC: It seems fitting that the inaugural review on this site should be the English world premiere of a new Canadian play. And what a play; apocalyptic, uncomfortably thought-provoking, weirdly humorous - but enthralling for 90 minutes without intermission.

VANCOUVER, B.C. - I inhabit a new Yaletown condo, just like the elegant space designed by Yvan Morissette for Peter and Mary; (un)happily married couple of Francois Archambault’s The Leisure Society, now playing at Performance Works.  Well there are some differences of course between their place and mine.

As a university professor, I have spent much of my professional life before audiences, lecturing to students or medical residents, or giving presentations or workshops at national and international conferences. Yet the mere thought of going on stage as an actor to recall lines that I have memorized, fills me with terror.