Vancouver theatre review

Speed -the-Plow
By David Mamet
Directed by David Mackay
A Mitch & Murray Production
Studio 16 (1555 W 7th Ave., Vancouver)
Nov 13 to 29, 2014

Vancouver, BC: From their opening lines, Aaron Craven and Craig Erickson take off with the hypermanic intensity of Mamet's fast moving script. Bobby Gould (Erickson) is the recently promoted Director of Production in  a major Hollywood studio, headed by Richard Ross. Bobby's long time friend Charlie Fox (Craven), who has been waiting for ever for his own big break, bursts into his office with news that a big Hollowood name from another studio wants to "cross the street" and make a prison film of a script brought to him by Fox. But they have to get the project green-lighted by Ross before 10 am the next day.

 

Urinetown: The Musical
By Mark Hollman and Greg Kotis
Directed by Donna Spencer
Musical Direction by Steve Charles
Choreography by Tara Cheyenne Friedenberg
Firehall Arts Centre
Nov 1- 29, 2014

Vancouver, BC: Take a biologically impossible premise, add songs with clever, funny lyrics, thrown in brilliant choreography with parodies of top hit musicals, provide a big bad corporate CEO in cahoots with corrupt cops and conniving politicians... call it Urinetown: The Musical and you have a hilarious satirical show that adults love, even though they are eons past their preschool bathroom-humour phase.

Blue Box
written and performed by Carmen Aguirre
directed by Brian Quirt
A Nightswimming Production
Arts Club Theatre Company
Revue Stage Granville Island
Oct 9 to  Nov 1, 2014
Vancouver, BC:  Carmen Aguirre is a true powerhouse of a performer. With minimal set or props, just her intense delivery softened by an engagingly sly smile as she zaps her audience with another provocative anecdote, she kept me riveted to her story. And what a tale she weaves!

Three Tall Women
By Edward Albee
directed by Terence Kelly
PAL Studio Theatre (581 Cardero St.)
Oct 23 to Nov 9, 2014

Vancouver, BC: I really liked this show; this is a play you do not want to miss. Albee's intriguingly crafted work is sensitively interpreted by the cast of Anna Hagan, Beatrice Zeilinger, Meaghan Chenosky and Matt Reznek.

When Three Tall Women premiered in 1994 off Broadway, it garnered for Albee the Pulitzer Award for Drama, the Drama Critics Circle Award for best play and the Outer Critics Circle award for best off-Broadway play, among many other accolades.  Interestingly I was not expecting to like it as much as I did. When I thought back to the 95/96 Vancouver production, the first time I saw this play, I remembered thinking at the time that it was a whole lot of talking and there was not much going on. This time,  being 20 years more "mature" and with two more decades of life experiences behind me, I understood, and was caught up in, just how much was in fact "going on" in this play.

img_6624-w500-h500.jpgDarling, A Musical
Music and Lyrics  by Ryan Scott Oliver;  Book by Brett Ryback
Directed and choreographed by Dawn Ewen
Musical direction by Steven Greenfield
Springboard Theatre Production
Renegade Production Studios, 125 East 2nd St., Vancouver
October 8 to 18th, 2014

Vurs-w500-h500.jpgancouver, BC: Many of Vancouver's successful independent theatre companies were started by the entrepreneurship of new grads or young actors to provide a vehicle through which they could practice their craft of theatre and gain practical  experience in performance, technical or production aspects. Springboard Theatre was founded a year ago by Capilano University Musical Theatre Program grads, Michelle Bardach, Kayla Heyblom and Katie Purych with the objective of putting on a musical that was youthful and provocative, and had not been done before in Vancouver. The musical they selected was Darling, the Musical written by Ryan Scott Oliver and  Brett Ryback in 2009.

Set in 1929 Boston just before the Great Crash, Darling gives a gritty, down-and-dirty twist to Barrie's tale of Peter Pan, Wendy Darling and the Lost Boys.

My Rabbi
my_rabbi_-_kayvon_kelly_joel_bernbaum_image_derek_ford_2-1-w500-h500.jpgWritten and performed by Kayvon Kelly and Joel Bernbaum
Directed by Julie McIsaac
A Sum Theatre Production.
Firehall Arts Centre,
Oct 7 to 18, 2014

Vancouver, BC: Two boys, Arya (Kayvon Kelly) and Jacob (Joel Bernbaum)  growing up in Saskatoon, meet at fifteen and become close friends; as close as brothers. Arya's family are Iranian Muslims.  Jacob's family is Jewish. Neither boy is devout, and the family's religious differences play no part in affecting their friendship. At times of stress such as parental illness, they are there for each other.
They grow up and Jacob moves to New York to become a rabbi while Arya goes to Iran to learn about his origins. They keep in touch by letter for a while...
The play opens with Arya, now a devout Muslim,  and Jacob, now a Rabbi in Toronto, each at prayer. A chance encounter in a Toronto street reunites them. But the bombing of buses and cafes in Israel is being echoed by the bombing of synagogues in Toronto. Can this bond of friendship between Muslim and Jew endure through religious, philosophical and  political differences?

img_1179_-_shot_4_-_money-w500-h500.jpgCymbeline
by William Shakespeare
Directed by Anita Rochon
 Bard on the Beach Shakespeare Festival
Howard Family Stage, Douglas Campbell Theatre, Vanier Park
July 4 to Sept 17, 2014

img_1435_-_money-w500-h500.jpgVancouver, BC: Cymbeline is one of the lesser known Shakespearean dramas with many characters taking on alternate identities. It is one of the few Shakespeare plays that I have never seen performed, studied or even read until now. In Cymbeline, the plot is rather convoluted and the Bard uses many of his familiar devices and characters - the poison that simulates death, disguises that are un-believably effective, lost royal heirs that are raised in poverty, the deceitful betrayer who besmirches the reputation of the virtuous heroine - and I honestly wasn’t expecting to be riveted to the stage as I am when I watch one of his great tragedies. 

But I really loved this production. Anita Rochon’s direction was crisp and incisive and this talented group of actors were able to push the limits of the multiple role casting to provide the comedic sharpness that this play needs.

img_0607_-_money-w500-h500.jpgEquivocation
by Bill Cain
Directed by Michael Shamata
 Bard on the Beach Shakespeare Festival
Howard Family Stage, Douglas Campbell Theatre, Vanier Park
July 2 to Sept 19, 2014
Vancouver, BC: I really enjoy the opportunity to see a play with a Shakespearean

Vancouver, BC: I really enjoy the opportunity to see a play with a Shakespearean “connection”  as the 4th play in a Bard on the Beach season. These plays such as Mark Leiren -Young's "Shylock" or Stoppard's "Rosenkrantz and Guildenstern", that are not of the Shakespeare's writing yet complement the current productions, add a different dimension to the Bard on the Beach experience.

This year, Bill Cain’s "Equivocation", though not specifically related to any of the three other plays on stage,  was an excellent choice and I found the play witty and thought-provoking. Filled to the brim with allusions recognizable to the Shakespearean “in” crowd, it presents an tantalizing imagined tale of how Equivocation's Shakespeare character, Shagspeare, comes to produce one of the Shakespearean tragedies most admired and performed to this day. I'll leave it to you to find out which one.

shrek_39a0653-w500-h500.jpgShrek: The Musical
Based on the DreamWorks Animation Motion Picture and the book by William Steig
Book and lyrics by David Lindsay-Abaire
Music by Jeanine Tesori
Directed by Sarah Rodgers
Music Director Christopher King, Choreographer Julie Tomaino
Theatre Under the Stars, Malkin Bowl, Stanley park.
July 11 to Aug 22, 2014

Vancouver, BC:  With my grandchildren (one a five year old) in town, this was a great opportunity to take them to see a Theatre Under the Stars musical at Malkin Bowl. The story of Shrek, the lonely ogre, was more age appropriate than Legally Blonde, which I had enjoyed last year. Seven of us trooped off to Stanley Park, hoping for a beautiful summer evening, and we got what we hoped for, a warm, almost cloudless summer night and good family entertainment.

 

wh1-w500-h500.jpgWhite Hot
by Tommy Smith
directed by Ben Ratner
The Shop Theatre, 125 E. 2 nd St.
A White Hot Equity Co-Op production
May 8 -17, 2014

i-btvwcbk-x2-w500-h500.jpgVancouver, B.C. One of the things I love about my job as a theatre reviewer is the opportunity to see off-mainstream shows by small independent theatre companies. It is also often an opportunity to learn about small funky theatre spaces which these independent companies find to use for their productions. And that's how on a rainy Vancouver night I found myself driving round the vicinity of Main and Québec Streets, trying to find a a street parking space reasonably close to The Shop Theatre, which I discovered is in the old production space of the now sadly defunct Vancouver Playhouse Theatre Company.

I do not use the F-word, at least in my writing, so I will simply say instead that Tommy Smith's play is about some seriously M-essed up characters. Lil (Loretta Walsh) and Sis (Stefania Indelicato) are sisters, the yin and yang of a manic-depressive persona. Sis is a manically crazy nymphomaniac who kicks off the play with a superbly articulated, warp-speed monologue about her sex-driven, violent but empty life.  “I love when people lie to me. I love the moment when I figure it out. I’m like, there, I got white hot justice on my side.”

 

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