Darling, A Musical
Music and Lyrics by Ryan Scott Oliver; Book by Brett Ryback
Directed and choreographed by Dawn Ewen
Musical direction by Steven Greenfield
Springboard Theatre Production
Renegade Production Studios, 125 East 2nd St., Vancouver
October 8 to 18th, 2014
Vancouver, BC: Many of Vancouver's successful independent theatre companies were started by the entrepreneurship of new grads or young actors to provide a vehicle through which they could practice their craft of theatre and gain practical experience in performance, technical or production aspects. Springboard Theatre was founded a year ago by Capilano University Musical Theatre Program grads, Michelle Bardach, Kayla Heyblom and Katie Purych with the objective of putting on a musical that was youthful and provocative, and had not been done before in Vancouver. The musical they selected was Darling, the Musical written by Ryan Scott Oliver and Brett Ryback in 2009.
Set in 1929 Boston just before the Great Crash, Darling gives a gritty, down-and-dirty twist to Barrie's tale of Peter Pan, Wendy Darling and the Lost Boys.
My Rabbi Written and performed by Kayvon Kelly and Joel Bernbaum
Directed by Julie McIsaac
A Sum Theatre Production.
Firehall Arts Centre,
Oct 7 to 18, 2014
Vancouver, BC: Two boys, Arya (Kayvon Kelly) and Jacob (Joel Bernbaum) growing up in Saskatoon, meet at fifteen and become close friends; as close as brothers. Arya's family are Iranian Muslims. Jacob's family is Jewish. Neither boy is devout, and the family's religious differences play no part in affecting their friendship. At times of stress such as parental illness, they are there for each other.
They grow up and Jacob moves to New York to become a rabbi while Arya goes to Iran to learn about his origins. They keep in touch by letter for a while...
The play opens with Arya, now a devout Muslim, and Jacob, now a Rabbi in Toronto, each at prayer. A chance encounter in a Toronto street reunites them. But the bombing of buses and cafes in Israel is being echoed by the bombing of synagogues in Toronto. Can this bond of friendship between Muslim and Jew endure through religious, philosophical and political differences?
by William Shakespeare
Directed by Anita Rochon
Bard on the Beach Shakespeare Festival
Howard Family Stage, Douglas Campbell Theatre, Vanier Park
July 4 to Sept 17, 2014
Vancouver, BC: Cymbeline is one of the lesser known Shakespearean dramas with many characters taking on alternate identities. It is one of the few Shakespeare plays that I have never seen performed, studied or even read until now. In Cymbeline, the plot is rather convoluted and the Bard uses many of his familiar devices and characters - the poison that simulates death, disguises that are un-believably effective, lost royal heirs that are raised in poverty, the deceitful betrayer who besmirches the reputation of the virtuous heroine - and I honestly wasn’t expecting to be riveted to the stage as I am when I watch one of his great tragedies.
But I really loved this production. Anita Rochon’s direction was crisp and incisive and this talented group of actors were able to push the limits of the multiple role casting to provide the comedic sharpness that this play needs.
by Bill Cain
Directed by Michael Shamata
Bard on the Beach Shakespeare Festival
Howard Family Stage, Douglas Campbell Theatre, Vanier Park
July 2 to Sept 19, 2014
Vancouver, BC: I really enjoy the opportunity to see a play with a Shakespearean
Vancouver, BC: I really enjoy the opportunity to see a play with a Shakespearean “connection” as the 4th play in a Bard on the Beach season. These plays such as Mark Leiren -Young's "Shylock" or Stoppard's "Rosenkrantz and Guildenstern", that are not of the Shakespeare's writing yet complement the current productions, add a different dimension to the Bard on the Beach experience.
This year, Bill Cain’s "Equivocation", though not specifically related to any of the three other plays on stage, was an excellent choice and I found the play witty and thought-provoking. Filled to the brim with allusions recognizable to the Shakespearean “in” crowd, it presents an tantalizing imagined tale of how Equivocation's Shakespeare character, Shagspeare, comes to produce one of the Shakespearean tragedies most admired and performed to this day. I'll leave it to you to find out which one.
Shrek: The Musical
Based on the DreamWorks Animation Motion Picture and the book by William Steig
Book and lyrics by David Lindsay-Abaire
Music by Jeanine Tesori
Directed by Sarah Rodgers
Music Director Christopher King, Choreographer Julie Tomaino
Theatre Under the Stars, Malkin Bowl, Stanley park.
July 11 to Aug 22, 2014
Vancouver, BC: With my grandchildren (one a five year old) in town, this was a great opportunity to take them to see a Theatre Under the Stars musical at Malkin Bowl. The story of Shrek, the lonely ogre, was more age appropriate than Legally Blonde, which I had enjoyed last year. Seven of us trooped off to Stanley Park, hoping for a beautiful summer evening, and we got what we hoped for, a warm, almost cloudless summer night and good family entertainment.
by Tommy Smith
directed by Ben Ratner
The Shop Theatre, 125 E. 2 nd St.
A White Hot Equity Co-Op production
May 8 -17, 2014
Vancouver, B.C. One of the things I love about my job as a theatre reviewer is the opportunity to see off-mainstream shows by small independent theatre companies. It is also often an opportunity to learn about small funky theatre spaces which these independent companies find to use for their productions. And that's how on a rainy Vancouver night I found myself driving round the vicinity of Main and Québec Streets, trying to find a a street parking space reasonably close to The Shop Theatre, which I discovered is in the old production space of the now sadly defunct Vancouver Playhouse Theatre Company.
I do not use the F-word, at least in my writing, so I will simply say instead that Tommy Smith's play is about some seriously M-essed up characters. Lil (Loretta Walsh) and Sis (Stefania Indelicato) are sisters, the yin and yang of a manic-depressive persona. Sis is a manically crazy nymphomaniac who kicks off the play with a superbly articulated, warp-speed monologue about her sex-driven, violent but empty life. “I love when people lie to me. I love the moment when I figure it out. I’m like, there, I got white hot justice on my side.”
Watching Glory Die
Written and performed by Judith Thompson
Directed by Ken Gass
Canadian Rep Theatre
Historic Theatre at The Cultch
April 23 to May 3rd, 2014.
Vancouver, BC: A fourteen year old girl sent to juvenile detention for throwing an apple at a postman was incarcerated for five years until she ultimately asphyxiated herself in her cell while being watched by on duty correctional officers. The correctional officers were "following orders not to intervene until she stopped breathing." It is hard to believe that this tragic and horrific real-life story could happen in a country like Canada. Four months ago, almost 7 years after the death of Ashley Smith, an inquest jury found that her death was a homicide - in other words that the actions of others contributed to her death. No criminal or civil liability was assessed through the inquest but recommendations were made to prevent such future tragedies.
Playwright Judith Thompson chose to tell this sad and perplexing story through the perspectives of three representative characters. Glory is the troubled 19 year old girl who has spent 5 years, much of it in "therapeutic quiet" or isolation, in institutions of Corrections Canada. Rose is Glory's adoptive mother, who raised her from a 5 day old infant, and who, towards the end was kept away from Glory by the Corrections system. Gail represents the correctional officers or prison guards. A rough working-class woman, she is fearful of losing her job, follows orders not her conscience and is clearly not trained nor qualified to be responsible for the type of self-destructive prisoner that Glory has become. In this premiere production of Watching Glory Die, Thompson herself bravely returns to the stage after 35 years, to play all three roles.
Music and lyrics by Adam Guettel
Book and additional lyrics by Tina Landau
Directed and choreographed by Peter Jorgenson
Vancouver, BC: Long time readers of ReviewFromTheHouse may remember my stories of having to overcome my sometimes incapacitating claustrophobia to undergo magnetic resonance imaging (Claustrophia and your MRI) and to stay calm on being trapped in a New York elevator. What I have never disclosed is that my first experience of severe claustrophobia occurred as a child, crawling through a confined tunnel like Floyd Collins, but in the Cango Cave system near Oudtshoorn in the Western Cape of South Africa. Like the caves of Central Kentucky, the Cango Caves are an extensive system of cave and tunnels formed in the ancient limestone strata in the foothills of the Swartberg (Black Mountain).
Merely reading about the horrific end of the real Floyd Collins, trapped in a space eight inches high, evoked the same terrifying sense of suffocation and panic that has stayed with me since that long-ago nightmare. Even though, while watching the story unfold, my rational self acknowledged that these were actors on stage, and the "dark cave system and confined space" where Floyd Collins (Daren Herbert) was "trapped" was a construct of Amir Ofek's clever representational set and Jeff Harrison's somber lighting, this sense of unease coloured my entire experience of this dark work.
Written and directed by Christopher Morris
A Human Cargo production at PuSh Festival 2014
Jan 24-26, 2014
Vancouver, BC: The events of Night that take place over 24 hours of polar darkness, are precipitated by the unexpected arrival in Pond Inlet, Nunavut, of Daniella (Linnea Swan) a cultural anthropologist who works at the museum in Toronto.
Prompted by a letter she received, purportedly from a young girl Piuyuq (Tiffany Ayaluk) asking about her grandfather, Daniella decides to repatriate the bones of the grandfather to his family - his son (Jonathan Fisher) and grand-daughter. Daniella's arrival awakens old traumas in Piuyuq's father, and Piuyuq's best friend, Gloria (Reneltta Arluk), the real writer of the letter sees that her desire to help her friend has unintended bad consequences.
Seeds by Annabel Soutar
Directed by Chris Abraham
A Port Parole Production
PuSh International Performing Arts Festival and Theatre at UBC
Frederic Wood Theatre, UBC Jan 22-26 th, 2014
Vancouver, BC: I must confess that as I drove out to UBC through a thick eerie fog to see Seeds, I was gearing myself up for the usual rant against big business and corporations. But what a surprise. This docu-theatre piece of verbatim theatre ("where every word spoken onstage is a verbatim quote from court transcripts and interviews") is a fascinating, provocative and compelling presentation of a complex and multi-faceted issue.