The national tour of Jersey Boys will explode onto the Vancouver scene in the Queen Elizabeth Theatre in September 2012. Somehow I missed seeing Jersey Boys in New York, London and Toronto, so I was excited to hear about this upcoming show.
I grew up in an era when a musicologist might say that rock-n-roll was supposedly past its peak. Elvis was off in the army and Buddy Holly and Richie Valens had died in a plane crash.
But far away at the southern tip of Africa, no one had told us teenagers that rock 'n roll was dead. Every weekend a group of us gathered in the large garage that had been converted into a rec-room and we danced the afternoons away.
We did not need drugs to fly high as kites. We didn't drink and we didn't smoke. We were not concerned with fashion fads or fast cars. All that mattered was how good a dancer you were and how much fun you had dancing. We "twisted" and "rock 'n' roll'-ed but our favorite dance style was "bop", which I think has evolved into today's East Coast jive. And as my regular readers know, I have never lost my addiction to dance.
Asymmetry by Rick Robinson
Directed by Stuart Aikins,
A Reality Curve Theatre Production
October 25 - 30, 2011
Vancouver, BC: I was procrastinating by reading Facebook posts instead of getting on with my writing, when I happened to see a Theatre at UBC post with a link to an Urban Rush interview video of Stuart Aikins and Jerry Wassermann talking about the play Asymmetry. This is a first play production for Reality Curve Theatre.
It was on at the Havana Theatre and amazingly my calendar had a clear night, so a friend and I headed out to the Havana to see the play. I like the intimacy of the space there but unless they do something about the seats, it is going to be a long time before I go there again. They are so uncomfortable it's death on the back! But I digress.
Asymmetry: Three couples, three stories. They use the same playing space, enter and exit through the same doors but their stories are independent and they do not interact at all.
West Side Story
Music by Leonard Bernstein Lyrics by Stephen Sondheim
Book by Arthur Laurents
Based on a concept by Jerome Robbins
Directed by Ken Cazan
Conducted by Leslie Dala
Choreographer Tracey Flye
Vancouver, BC: Only an opera purist would fuss about whether West Side Story is opera or musical theatre. I remember a similar controversy when VO did Porgy and Bess by George and Ira Gershwin more than a decade ago yet most of the patrons loved that show too.
The Penelopiad by Margaret Atwood,
Directed by Vanessa Porteous,
Arts Club Theatre Company
Stanley Industrial Alliance Stage
Oct 20 to Nov 20, 2011
Vancouver, BC: I loved the tag-line for this show - The Untold Story of the Original Desperate Housewife". But do not let this mislead you into thinking this is in any way a television style comedy-drama. The Penelopiad is an exquisitely narrated re-imagining of Homer's Odyssey, from the perspective of Penelope, faithful wife of Odysseus, who waited twenty years for him to return from fighting the Trojan War.
Originally written as a novella by Atwood and then adapted for the stage, the play is structured with two basic elements. The first is the narrative thread recounted by Penelope (Meg Roe) from Hades where she is haunted by the shades of her slave girls who were murdered by her son Telemachus at the behest of the finally returned Odysseus.
Created and staged by Carey Perlhoff and Val Caniparoli
Répétiteur: Nancy Dickson
A Vancouver Playhouse Theatre Company/ Theatre Calgary presentation of
the American Conservatory Theater of San Francisco production.
Oct 8 to 29, 2011
Vancouver, BC: There was magic in the air on opening night at the Vancouver Playhouse when music, movement and theatre came together in a show that made me want to dance but also brought tears to my eyes.
The story of the bartender at the Tosca Cafe is told, in the main, wordlessly through movement, look or gesture, and it is so perfectly done that you can follow every scenario as if there were a spoken text.
The Vancouver run of Ride the Cyclone is coming to an end with a final performance at 8 PM tonight. Then it is off to Whitehorse and then Toronto from November 10 to December 3 for this group of talented performers in this year's run-away hit. I heard that several of the Toronto performances have already sold out so I sent E-nudges to theatre buddies in Toronto to make sure they get their tickets early.
Bursting with curiosity to learn more than I read in the program and from the ridethecyclonemusical website I met with three of the group in between shows to learn a bit more about them. Sarah Jane Pelzer who plays Jane Doe, auditioned for the first workshop over three years ago and has been in the show ever since. Without white makeup and those dark scleral lenses, she is lovely, and totally alive! Elliott Loran who plays Ricky Potts, and the unforgettable Space Age Bachelor Man joined after the first workshop was held. He is as energetic and enthusiastic as Ricky is introverted, and delightful to interview.
A Funny Thing Happened on the Way to the Forum
Book by Larry Gelbart and Burt Shevelove
Music and lyrics by Stephen Sondheim
Directed by Cathy Wilmot
Music Director Sarah Jaysmith
Choreographer Dawn Ewen
Fighting Chance Productions
Jericho Arts Centre
Oct 4 - 22, 2011
Vancouver, BC: What happens when that ancient Roman playwright Titus Maccius Plautus meets twentieth century playwrights Larry Gelbart and Burt Shevelove, figuratively of course? You get Pseudolus (the play) turned into A funny Thing Happened on the Way to the Forum, where stock characters (young lovers, obstructionary old man, clever slave) play out slapstick comedy with storylines borrowed from ancient Greek theatre.
The Crucible by Arthur Miller
Directed by Jane Heyman
Studio 58 at Langara College
Sept 29 to Oct 16, 2011.
Vancouver, BC: "The play's the thing!" and Arthur Miller's play written almost 60 years ago has not lost one iota of its power to captivate. The Crucible is set in Salem village, Massachusetts in 1692, notorious for the witch trials resulting in nineteen people hanging for supposedly being witches. Miller's play premiered on Broadway in 1952, five years after the House Committee for Un-American Activities had begun an investigation into communist influence in the Hollywood movie industry. Several hundred actors, directors and screen writers accused by this committee were blacklisted and their lives and careers ruined. The Crucible serves an allegorical function, the religious hysteria of seventeenth century Massachusetts stands in for the anti-communist hysteria of the 20th century. Both forces were driven by rabid believers who forced innocent people into the moral dilemma of false confessions or naming names of associates, to save their own lives.
The Trial of Judith K by Sally Clark
Directed by Tom Scholte
Frederick Wood Theatre,
Sept 29 to Oct 8, 2011 - shows at 7:30 PM
Vancouver, BC: Black Comedy? Absurdist theatre? Whatever genre this play falls into, "The Trial of Judith K" would be a difficult script for even a professional company to pull off well and this student production did not entirely succeed in doing so. Without a copy of the script in front of me I am also finding this hard to write about, since other than Jordan Kerbs who plays the title role, each of the other cast members play at least three separate characters (twenty in total) and it's hard to keep them straight in my mind. But here goes.