Sensation of Magic - Vitaly Beckman at the Havana Theatre
Sensation of Magic
Designed and performed by Vitaly Beckman
The Havana Theatre
17th to 21st August, 2010
Vancouver, BC. A Magic Show at the Havana? Sounded like it might be fun so a friend and I headed over to Commercial Drive to enjoy a pre-show supper at the Havana Cafe and then watch illusionist, Vitaly Beckman work his magic, so to speak.
The three rows of seats in the small Havana Theatre were packed by the time the show was to start. I had no idea what to expect - maybe a bit of "magic rings or scarves" and some "rabbit out of a hat thingie." I settled back in my seat thinking cynically to myself that in such an up-close and intimate playing space, it would be a cinch to spot whatever tricks he would be using to create his illusions. But I guess I won't be hired as a sooth sayer any time soon! Because...
Enter Beckman, with a disarming, almost self-deprecating, smile and an charmingly engaging personality. He started off slowly with a spoon, two glass tumblers and some gentle swirling motions of his arms and hands. Without touching it, he got the spoon to move around in the glass tumbler. Hmmm ... I thought to myself, "okay, some kind of magnet or something. "
The next moment the spoon was floating freely in the air. I sat up and started paying attention - serious attention.
Glengarry Glen Ross
Glengarry Glen Ross by David Mamet
Directed by Michael Shamata
Arts Club Theatre Company
Stanley Industrial Alliance Stage
July 22 to August 22, 2010
Vancouver, BC. Drifting through the Stanley Theatre lobby at intermission, I was struck by the unusual number of men engaged in lively and animated discussion about the events of the first act. There seems to be something about this Mamet piece (other than that it features an all-male ensemble), that makes it resonate more strongly than most productions with male audience members. Maybe its the sense of watching a war-zone where only the strong and ruthless will survive, that makes it so much a man's play.
Or maybe not exclusively so. This is the third version of Glengarry Glen Ross that I have seen (one being the film adaptation and the second an outstanding equity-co-op production of Glengarry Glen Ross by a small group of fine local actors) and despite the fact that there is not a decent or sympathetic character whose fate one should care about - in fact they are all pretty despicable people - as before, I found myself completely caught up in the action.
Robin Hood
Robin Hood by Sebastian Archibald
Directed by Chelsea Haberlin
Itsazoo Productions
Queen Elizabeth Park - at the Bloedel Conservatory
August 4-7, 10-14 and 17-19, 2010 at 7:00 pm.
Run extended - 25th to 28th August
Vancouver, BC: It is definitely becoming one of Vancouver's summer theatre traditions - a promenade play by Itsazoo Productions in Queen Elizabeth Park. With the natural scenery of the park as the stage, the audience follows members of the company along pathways and grassy areas as the story moves from scene to scene. Company playwright Sebastian Archibald adapts and creates the stories from varied sources.
Last year's show was drawn from The Canterbury Tales. This year Archibald has taken the story of the medieval folkloric hero, Robin Hood, and his Sherwood Forest gang and set it in contemporary Vancouver. The premier, Nottingham (played by Archibald) and his pal MLA, Rich White (I kid you not) played by David Benedict Brown, are planning a Big Deal event to put the city on the map, and in the process get themselves re-elected. To succeed they need lots of money, which they get by cutting funding for everything else. They also want to clean up the streets and get the drug dealers, petty thieves and the homeless out of sight. And they have just the person to do this, taser-happy Chief Gisbourne (Julia Church), helped by cop (Mel Brown) and other cops.
Henry V
Henry V by William Shakespeare
Directed by Meg Roe
Bard on the Beach Shakespeare Festival,
Studio Stage, Vanier Park.
to September 24th, 2010
Vancouver, BC: Following her 2008 directing debut at Bard on the Beach with a lively production of The Tempest, Meg Roe has again created a visually exciting and engrossing work in this year's production of Henry V. And this year, instead of having Alessandro Juliani produce a complete soundscape to underscore the production as in The Tempest, she places him front and centre as Henry V. A multi-talented artist - he performs both tasks, sound design (for The Tempest) and acting in the lead role (of two plays at the same time!), with equal aplomb. Juliani is quite entrancing to watch onstage, and he played a Hal and a Henry worthy of the crown he ultimately attains.
Falstaff
Falstaff
Adapted by Errol Durbach from Henry lV, 1 & ll.
Directed by Glynis Leyshon
Bard on the Beach Shakespeare Festival,
Studio Stage, Vanier Park.
to September 22nd, 2010
Vancouver, BC: Having enjoyed both the Mainstage productions of Much Ado about Nothing and Antony and Cleopatra, I did not want to miss Bard's two Studio Stage shows of the 2010 season. So before I took off for a London visit to dine and see theatre prior to going Ballroom Dancing round the British Isles, I made my plans to see Falstaff and Henry V on successive nights soon after my return.
39 and Ticking! The musical
39 and Ticking! The Musical
Written and Directed by Sharon Heath
Music by Ted Hamilton with Joan MacLean
Full Figure Theatre
Jericho Arts Centre
August 3 to 8, 2010
Vancouver, BC: I bet there isn't a woman in the audience for "39 and Ticking!" who regardless of age, does not empathize with Rose and the conflicting voices in her head - specially that of her mother. We may not all share the special dilemma of a 39 year old - longing to have a baby versus that darn ticking biological clock but we all at one time or another have been buffeted by conflicting images and desires from voices buried, but not-so-deep, in our subconscious minds.
Writer/ director Heath has taken the voices that plague 39 year old Rose (Lisa Beley) or at least three of them, and embodied them as free spirit/ cougar Mattie (Lisa Bunting), Mom (Joan MacLean) and some kind of existential guru, played by Chery Mullen who doubles as Rose's boyfriend Dan.
We meet Rose in her flat, where she is whizzing around in response to the noisy inner voices, and ignoring the pregnancy test kit waiting in her bathroom. Desperate to get pregnant, Rose has spent time, a lot of it, on-line dating - where she encounters numerous less than desirable guys. Until she finally meets Dan.
Goodbye London- hello Southampton: off to dance around the British isles
Well I really must learn to read my travel information more carefully - though even though the man who checked us in for the coach transport to Southampton agreed that the ship transfer information was written somewhat ambiguously. I found that other people also experienced the same confusion regarding where to go, so it must be partly the way the Cunard documentation is written.
Basically the transfer details state: meet the Cunard representative at the Information desk at Victoria Station and they will direct you where to go to get the coach. Then it says that the coach will leave from the Victoria Coach Station between 11 and 12, and gives the address.
What it does not say is that the information desk to which you must go is at the Victoria Coach Station. For foreigners who have not done their advance research and who do not know that Victoria Station and Victoria Coach station are two separate locations, that is a problem as they are more than two very long city blocks apart.
So my very helpful and chatty cabby dropped me off at Victoria Station as I had asked and it was only after I lugged my suitcase inside that I was told by one of the customer assistance guys at Victoria Station that I needed to be at Victoria Coach Station.
As I lugged my suitcase, weighed down by dance shoes and dance dresses, for two very long city blocks along the uneven pavement, I thought maybe I should change my hobby from dance to swim racing and just pack a few skimpy Speedos instead. The problem is that I hate to put my face in the water, so maybe swimming would not be such a smart idea.
Tuesday: internet access and "All My Sons".
By my third day in London, I had seen three productions, Thriller Live, The Habit of Art and The Prisoner of Second Avenue, done the Backstage Tour at the National Theatre and enjoyed some good dining at ROKA. But the promised wireless internet access had not yet materialized. Apparently the hotel was being re-cabled, and I was days behind in keeping up with email and with posting my Travelblogue. entries.
The desk called just around noon say that they had finally got the internet working. They charge 6 pounds an hour to a maximum of 15 pounds from noon to noon so it was kind of a no-brainer to decide to spend the morning writing so I could get some posting done once the wireless net was up.
Finally I was able to get connected but the system kept kicking me back to the Internet Portal just as I was trying to save some of my immortal prose - and of course nothing was saved. So in desperation I called the front desk for help. They connected me to two numbers in succession where I talked to people who said they were not the right ones to talk to about this problem. Finally I got the man for the hotel wireless network provider and he told me they had a imposed a special setting to stop people staying logged on when they just forget to sign off. He increased the time on that setting and after that things worked fine.
But oh the frustrations of trying to write on line. And all the time people say to me "oh what a great job you have." But as my friend, Janet says - "remember you are driving your own bus! "
Wednesday in London: Sauna, lunch at Salt Yard and "Love never Dies."
Disaster strikes. At least disaster for someone who does not like saunas and steam rooms.
For four days and nights in London I had enjoyed the arctic-like temperature in my room, turned the AC off before I went to sleep, and slept like a baby all night. Actually probably not like a baby since babies wake up crying for food every few hours. But I do sleep well, and wake up thoroughly rested and ready to go despite only 5 to 6 hours of sleep.
At this hotel, each day when I hopped out of bed in the morning the first thing I would do was switch on the AC and the room would cool within minutes to a comfortably arctic level. But not today. I switched the AC to high as usual. At first I did not notice that anything was wrong - it sounded as though it was working, but when I got out of the shower, and the room was steamy instead of cool, I realized something was wrong.
Vincent came to check. We agreed that it seemed as if cold air was coming out of the unit but the room did not get any colder. When I went down to speak to Keisha, the manager, it became apparent that the problem was not just in my room but that the entire AC unit that supplied the guest rooms with cold air had gone on the blink.
They offered to move me to another room. It was larger and marginally more comfortable that my bargain priced single room but the AC was not working there either and I could not see any point in moving for one night. So Keisha suggested that they put a fan in my room and I figured I could last out one night of heat.
She bought me a drink at the bar downstairs where I sat and worked for a while to escape the sauna in my room. In the hour or so that I sat downstairs in the lounge where the temperature was cool, group after group of guests were checking in. I felt really sorry for the desk staff who would have to deal with complaints about intolerably hot rooms - and for the other guests who were expecting air-conditioned comfort.
On Monday theatre is dark - or is it?
I must have been really tired because when I opened my eyes on Monday morning and checked the time it was 9:30. Guess I was catching up on the travel sleep deficit. Couldn't really face breakfast so I ordered a pot of coffee from room service and got myself thoroughly caffeinated while I dressed and got organized for my theatre booking expedition.
My Tuesday night was already allocated for All My Sons so that left me with Monday night and Wednesday night open. The last time I was in London there was virtually nothing on on Sunday and Monday and I wondered if that would be the same this time. However my last visit was in January. Now it is the height of the summer theatre season so probably there would be a reasonable selection of plays on.
By the time I was ready to go it was nearly eleven and I thought I had better get moving. My plan was to see what was available at discounted rates and if I could not find what I wanted, to go directly to the various box-offices.
On my way past the store where I bought my phone I stopped in for a quick discussion about OK buttons. By trial and error we decided it was the same as the back button - go figure - but it seemed to work.
At Leicester Square I got a dress circle ticket for Prisoner of Second Avenue and then I thought I would really like to see the follow up musical to Phantom, Love Never Dies. So I wandered along the Strand to the box office at the Adelphi and bought what I was assured was a good ticket for the Wednesday night 7:30 show. At 66 GBP it better be, and I pray for a little gnome in the seat in front of me.
On my way back I dropped into Sainsbury's to pick up some fruit and nuts.
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