Circle Mirror Transformation by Annie Baker
Directed by Nicola Cavendish
Granville Island Stage,
Arts Club Theatre Company,
Sept 22 to Oct 22,2011
Vancouver, BC: The best aspect of this production for me was the way David Roberts' set design and Ted Roberts' lighting came together to create a realistic setting of a typical studio space in a school or community centre. At first we see only a opaque, reflecting rear wall of the studio up stage but back lighting reveals a corridor with more rooms opening off the far side. I really liked this effect - it transported me back to some of the weird and wonderful classes I took at local community centres.
Next To Normal
Music by Tom Kitt
Book & lyrics by Brian Yorkey
Directed by Bill Millerd
Musical Directors Bruce Kellett and Ken Cormier
An Arts Club Theatre Production,
Stanley Theatre Industrial Alliance Stage
Jan 27 to Feb 27, 2011
Vancouver, BC: Go and see Next to Normal. It's powerful stuff yet poignant, at times comedic and the characters will grab at your empathetic emotions and not let go. This rock musical garnered Tony awards for best score and orchestrations, as well as a somewhat controversial 2010 Pulitzer Prize for Drama. Millerd and his stellar cast did justice to every aspect of the show.
Music and lyrics by Cole Porter
Original book by PG Wodehouse, Guy Bolton, Russell Crouse, Howard Lindsay
New book by Timothy Crouse and John Weidman
Director Sarah Rodgers
Music Director Christopher King; Choreographer Dayna Tekatch
Theatre Under the Stars,
Malkin Bowl, Stanley Park
Alternating nights July 13 to August 20th, 2011
Vancouver, BC: As we sat at a window table enjoying an exceptionally good pre-show meal at the new Ensemble restaurant, we watched raindrops spattering on the pavement. It looked like the weather forecasts were correct and the opening night of Anything Goes would take place under wet skies.
By the time we walked into Malkin Bowl to find our seats the sky had temporarily cleared but before the show began the drizzle started up again and the TUTS volunteers were handing out transparent ponchos to keep everyone in the audience dry.
But not even the rain could decrease my appreciation of Cole Porter's marvelous musical. Anything Goes is one of my favorites because almost every tune is a "stick in the head" kind of melody. My IPod ballroom dance music collection has quickstep versions of "It's De-Lovely", "You're the Top" and "I Get a Kick out of You", and I think I have most of Porter's clever lyrics permanently implanted in my brain. So I sang along silently in my head, and enjoyed the show a whole lot.
Bye Bye Birdie
Book by Michael Stewart; Music by Charles Strouse; Lyrics by Lee Adams
Director Shel Piercy
Music Director Kevin Michael Cripps; Choreographer Shelley Stewart-Hunt
Theatre Under the Stars,
Malkin Bowl, Stanley Park
Alternating nights July 12 to August 20th, 2010
Vancouver, BC: It is summertime in Vancouver - sort of - and Theatre Under The Stars is back for its 65th season. After an early meal at Le Bistro de Paris, we were looking forward to the opening night of Bye Bye Birdie, which runs alternate evenings with one of my favorite musicals,Anything Goes, which is packed with songs by the fabulous Cole Porter.
It's easy to see why Bye Bye Birdie is a favorite musical for high school and college shows. Inspired by the 1958 drafting of Elvis Presley into the US army, the storyline centers around rock and roll idol Conrad Birdie (Erik Gow), who is about to go overseas to serve his time in the army. His agent Albert (Daniel White) worries that this is the end of his business. His girlfriend / secretary Rosie (Lalainia Lindbjerg) who wants Albert to give up the music business, marry her and became an English teacher, has an idea for one last publicity stunt to make them rich. Conrad will record Albert's new song, One Last Kiss, and one lucky teenage fan, Kim (Amy Jean Mcelwain) from small-town Sweet Apple, Ohio, will be kissed by Conrad on the Ed Sullivan show. Of course nothing works out as planned but everything turns out happily in the end.
Henry VI: The Wars of the Roses
adapted and directed by Christopher Weddell
from Henry VI Parts I to III by William Shakespeare
Bard on the Beach Shakespeare Festival,
Studio Stage, Vanier Park.
June 30 to September 21, 2011
Vancouver, BC: With Henry VI and Richard III, Bard in the Beach completes the History Cycle of Shakespeare's plays about the 14th and 15th century Kings of England and the civil wars between the Houses of Lancaster and York, rival families within the royal House of Plantagenet. The play cycle at Vanier Park commenced in 2009 with the production of Richard II and continued in 2010 with Falstaff and Henry V.
Here's a quick summary of the saga related in the Kings' plays. Henry IV who had deposed Richard II established the House of Lancaster (red rose) on the throne of England. His wild young son matured into the warrior king, Henry V, he of "once more unto the breach, dear friends" fame. Unfortunately Henry V died young, and his infant son became king Henry VI. Richard, Duke of York (white rose) challenged young Henry's right to the throne and a series of battles between the armies of Lancaster and York took place over the next thirty some years. Finally a Lancaster, Henry Tudor, defeated Richard III of York. Henry VII married Elizabeth of York to unite the warring houses, and the Tudors ruled England over the next century.
Three Days of Rain by Richard Greenberg
Directed by Victor Ayala,
Ninja Pirates Theatre Company
June 28 to July 3, 2011
Vancouver, BC: I was about to join friends for a farewell dinner at Salade de Fruits Cafe at the French Cultural Centre on West 7th. The Centre is also home to the Studio 16 black box theatre. As I entered, the poster for the play that was opening that night in Studio 16, caught my eye. It was Three Days of Rain by Richard Greenberg, the first play in a book with a 4 play collection by Greenberg, that was sitting on a bookshelf in my apartment. I remembered that on reading the play some time ago, I had thought what a fantastic acting challenge it would present and I was curious to learn who was tackling it.
The Merchant of Venice by William Shakespeare
Directed by Rachel Ditor,
Bard Mainstage, Vanier Park,
June 15 to Sept 23, 2011
Vancouver, BC: Of all the Shakespeare plays I have seen I find The Merchant of Venice to be among the most compelling yet certainly the most disturbing to watch. While taking into account the likelihood that the play's reception by a contemporary audience would be very different from an audience of Shakespeare's own time, the script sets up so many powerful and conflicting issues that one is on a non-stop rollercoaster ride.
Bridge Mix 2011
Presented by ITSAZOO and Enlightenment Theatre
at the W. Pender Metro Parkade between Burrard and Thurlow.
June 8 to 25 2011.
Vancouver, BC. It does not take long for newly graduated theatre students to realize that if they want to practice their art they have to make their own opportunities. The arts life of Vancouver, like other similar cities is enriched by by numerous small independent theatre companies, who must be venturesome and innovative to produce their work with limited budgets and resources. As would be expected, the range and quality of work varies greatly, and some enterprises are more successful than others,
As You Like It by William Shakespeare
Directed by David Mackay
Bard on the Beach,
Bard Mainstage, Vanier Park,
June 2 to Sept 24, 2011
Vancouver, BC: Bard on the Beach opens its 2011 season with As You Like it - and like it I did, a lot. Though I have always preferred watching the intense drama of Shakespeare's tragedies to the whimsical frolics of mistaken identities and gender bending of his comedies, I really enjoyed this production.
The Great Divorce
adapted by George Drance and Magis Theatre
from the novel by C.S. Lewis
Directed by Kyle Rideout
May 20 - June 18, 2011
Vancouver, BC: On my last visit to New York one of the plays I saw was The Screwtape Letters, adapted by Jeffrey Fiske from the epistolary novel by C.S. Lewis. The letters are written by Screwtape, Satan's chief demon to his hapless nephew, Wormwood, advising him on how best to tempt humans to sin. I was enthralled by the charismatic and dominating Screwtape, amazed at the sinuous contortions of his demonic assistant Toadpipe, and the whole experience was devilishly wicked, funny and at all times entertaining.
The Great Divorce, originally published in serial form in a religious journal, was a complementary novella to Lewis's Screwtape Letters. I was therefore quite excited to see that Pacific Theatre was staging an adaptation of this book and hoped for a similarly entertaining show.