BEUTFL PRBLMS - a collectively devised production written by and performed by Andrew Laurenson, with Lesley Ewen, Billy Marchenski and Emelia Symington Fedy.
Director/dramaturge Paul Ternes
Radix Theatre Society
The Roundhouse Community Centre
May 13 to 21, 2011
Vancouver, BC: The premise of this new work - Garry Kasparov's loss of a chess series to a computer - sounded intriguing. I was eager to see the way in which Laurenson and his collaborators would create a spellbinding story from this event. In May 1997, chess Grandmaster Garry Kasparov, world champion for twelve years running, took on the challenge of beating IBM's Deep Blue Supercomputer. Of the 6 games played, Kasparov won the first game, Deep Blue the second, three were played to a draw and the final game was won by Deep Blue. Had technology triumphed over humanity? Well not really. Since Deep Blue was designed and programmed by a team of 5 IBM scientists and one International Grandmaster, it would be more fair to say that one man was beaten by a collective.
The Graduate - adapted for stage by Terry Johnson
based on the novel by Charles Webb
and the screenplay by Calder Willingham and Buck Henry
Directed by Lois Anderson,
Granville Island Stage,
Arts Club Theatre Company,
Apr 14- May 14 , 2011
Vancouver, BC: It is always an interesting anticipation when one looks at an adaptation of a work in one genre into another form, whether book to film, film to musical or film to play. It becomes even more of an interest when the new work is adapted from an iconic original.
The Will Rogers Follies 'A Life in Revue'
Book: Peter Stone Music: Cy Coleman
Lyrics: Betty Comden and Adolf Green
Directed and choreographed by Valerie Easton
Musical Director James Bryson
A Royal City Musical Theatre production
Apr 7 - 24, 2011
Vancouver, BC: The Royal City Musical Theatre's production of The Will Rogers Follies is an entertainment packed spectacle with a gorgeously costumed ensemble of sparkling young singers and dancers supporting the principal cast of Matt Palmer (Will Rogers), Sara-Jeanne Hosie (Betty Blake), Tyson Coady (Clem Rogers), Laura McNaught (Ziegfeld's favorite) and Dimitrios Stephanoy (Wiley Post).
It is somewhat embarrassing for me to admit that in all the time I have lived in Vancouver I have never been out to the Massey Theatre nor seen one of the Royal City Musical Theatre productions until now. But last night I finally made it out to New Westminster to see the The Will Rogers Follies and I will definitely be watching out for their future productions.
Another Home Invasion by Joan MacLeod
Directed by Richard Rose
A Tarragon Theatre production
Arts Club Theatre Company Revue Stage
Mar 31 - Apr 23, 2011
Vancouver, BC: Take a finely tuned script with not a wasted word, a "there but for the grace of God" story, and a performer who completely embodies her character - and you have a show that grabs its audience and does not let go for a full 70 minutes.
Nicola Lipman is Jean, a feisty senior, who is worn out by anxiety about her beloved husband, who is increasingly showing signs of dementia. She is willing to move out of their family home and into a care home and her heart is set on the local Kiwanis facility which has rooms for couples. But she and her husband have been on a wait list for two and a half years and now he needs more supportive care. Will they be separated, or have to be relocated, heaven forbid, to Abbotsford?
The Pillowman by Martin McDonagh
Directed by Stephen Drover
A Wild Geese Equity Co-op Production
Jericho Arts Centre
Feb 19 to Mar 6, 2011
Wed through Sun at 8 PM
Vancouver, BC: I freely confess - uncoerced by any implement of torture - that I probably viewed the Wild Geese Co-op production of The Pillowman through a different lens than most of their audiences will be using.
The Pillowman was the subject of my final term paper in a course on Modern British Drama and as an obsessively over-achieving mature student, I assiduously mined the text for every subtlety and nuance I could find. My issues were around authorial voice, whether "scriptor" or reader gives meaning to text, Death of the Author (concretized in McDonagh's script) ... and other such academic ideas.
Death of a Salesman by Arthur Miller
Directed by John Cooper
Vancouver Playhouse Theatre Company
Feb 12 to Mar 5, 2011
Vancouver, BC: If the dream of a young male actor is to play Hamlet, then Willy Loman would be the dream role for a theatre veteran.
In what must be one of the virtuoso performances of his career, Tom McBeath does not merely play Willy Loman. He is Willy Loman; a sad, pathetic, bone-weary 63 year old road salesman, who can no longer distinguish between the incomprehensible real world he inhabits, and the fantasy world he has built in his own mind. As Loman flashed back and forth between reality and and his dream world, there was not a micro-second in which McBeath did not carry me with him, often causing an errant tear to leak onto my cheeks.
[Title of show]
Music and lyrics by Jeff Bowen
Book by Hunter Bell
Directed by Mike McKenzie
Musical Director - Stewart Yu
Choreography by Sara-Jean Hosie and Shane Snow
A Homeshark Equity Co-op productioins
Granville Island Revue Stage
Feb 15 to 26th, 2011
Vancouver, BC: Calling a show [title of show] is cute but a touch risky for sales I would think. I confess that when I first saw the email notifying me about the opening of the show I suspected it was spam and almost deleted it before curiosity made me open the email. I'm glad I did.
The talented and energetic ensemble staging this musical on the Revue Stage produced an excellent evening of entertainment fun and I thoroughly recommend it.
My Name is Asher Lev
Adapted by Aaron Posner from the novel by Chaim Potok.
A Pacific Theatre production
Jan 38 to Feb 26, 2011
Vancouver, BC: Pacific Theatre has done it again, giving us another little gem of a play. Adapted by Aaron Posner from the eponymous novel by Chaim Potok, My Name is Asher Lev portrays a gifted young artist who is compelled to follow his creative passion even though it ultimately means exile from his family and the community in which he grew up.
The cast of three, directed with a nuanced sensitivity by Morris Ertman, features Giovanni Mocibob as Asher, while Nathan Schmidt and Katharine Venour play several male and female characters. Schmidt plays Asher's father Aryeh Lev, Asher's artistic mentor and teacher Jacob Kahn, Asher's uncle Yaakov and The Rebbe, leader of the Hassidic Community. Venour plays Asher's mother Rivkeh, Anna the art gallery owner who shows Jacob's and Asher's work, and a artist's model.
Floating Created and Performed by Hugh Hughes and Sioned Rowlands A Hoipolloi production at the PuSh Festival Arts Club Theatre Revue Stage January 20 to Feb 5, 2011
Vancouver, BC: I would have loved to be a fly on the wall when Shôn Dale-Jones first "met" emerging Welsh artist Hugh Hughes. Quick witted, charming, engaging storyteller - the dialogue must have been scintillating. But since it would have been more telepathic than aural, probably even the fly could not have tuned in to witness the birth of their first show, Floating.
Anyway it is the amiable Hugh Hughes, Dale-Jones' alter ego, who comes forward to greet the audience and introduce his grandmother, played by the winsome Sioned Rowlands. Rowlands also appears as other characters, such as the crusty Mr. Morgan, and Hugh's friend.
Dead Man's Cell Phone by Sarah Ruhl Directed by Chris McGregor, Telus Studio Theatre A Theatre at UBC production January 20 to 29, 2011 at 7:30 pm
Vancouver, BC: What a clever concept for a play - answering a dead man's cell phone and getting drawn into his world. Let's face it - who does not get annoyed when a loudly ringing cell phone disturbs your quiet meal? And if the jerk who owns the phone just lets it ring , and ring, and ring? Well it's enough to make you go ballistic.