Vancouver plays

The cast of Ride the Cyclone. Photo by Fairen BerchardRide The Cyclone
Book by Jacob Richmond
Lyrics and music: Brooke Maxwell & Jacob Richmond
Atomic Vaudeville
Revue Stage, Granville Island
Sept 28 to Oct 15, 2011

Vancouver, BC: Wow! That was the erudite word that popped into my head a few moments after this show started and when it ended 90 minutes later the "wow" was still there, even more so.

Sarah Jane Pelzer as Jane Doe. Photo by Feiran BerchardSo ride your bike, car, take a bus or ferry or walk down to Granville Island and catch this show before it closes here next week to head up to Whitehorse for a run.

The Cast of "Parkade: An Indie Rock Musical"Bridge Mix 2011
Presented by ITSAZOO and Enlightenment Theatre
at the W. Pender Metro Parkade between Burrard and Thurlow.
June 8 to 25 2011.

Vancouver, BC. It does not take long for newly graduated theatre students to realize that if they want to practice their art they have to make their own opportunities. The arts life of Vancouver, like other similar cities is enriched by by numerous small independent theatre companies, who must be venturesome and innovative to produce their work with limited budgets and resources. As would be expected, the range and quality of work varies greatly, and some enterprises are more successful than others,

From August: Osage County. Megan Leitch, Wendy Noel, Karin Konoval. Photo by David Cooper Craig Erickson, Meg Roe, Kevin McNulty, Gabrielle Rose  in Virginia Woolf. Photo by David Cooper. Sean Devine,  Tom McBeath in Death of a Salesman. Photo by Emily Cooper.

After missing out on a number of events from October to December, I now find myself confronted with a plethora of theatre offerings - far more than I can keep up with.  I was really excited to see that in one of those unusual programming conjunctions that occur from time to time, in this month alone three award winning plays about dysfunctional family relationships are opening.

Trace Letts'  August: Osage County (2008 Pulitzer,  Tony and New York Drama Critics  Awards) is already playing at The Stanley, Arthur Miller's Death of A Salesman (1949 Pulitzer, Tony and New York Drama Critics Awards) opens this week at the Vancouver Playhouse and Edward Albee's Who's Afraid of Virginia Woolf (1963 Tony  and New York Drama Critics Award) is at the Granville Island Stage.

And here is where the first bit of trivia comes in.

DIARY/JOURNAL INTIME
Choreographer: Helene Blackburn
Vancouver East Cultural Centre
A Cas Public Production      
September 29th to October 3rd
 
Vancouver, BC:  BLUE JEANS AND POINT SHOES

This is dance theatre that you can take your husband to….and your teens…and anyone else you can think of.   The opening offering of the Cultch Family Series is a knock-out.  The re-furbished Cultch main stage was bathed in the light of a thousand candles being arranged and moved about by the seven members of the company, the men in jeans and the women in point shoes, as the audience entered the theatre. 

 Marco Soriano, Laura  Di Cicco and Lucia Frangione in Via Beatrice. Via Beatrice
Written by Jenn Griffin
Composed and musically directed by Peggy Lee
Directed by  Matthew Bisset
Fugue Theatre
Playwrights Theatre Centre, Granville Island
13th - 22nd August, 2009

Vancouver, BC:  Almost exactly a year ago  I watched a staged reading of an early version of Via Beatrice at the Playwrights Theatre Centre. At the time I commented on my Works in Progress page commentary that  " It is always a privilege to get a peek into the creation of a new work, and then, hopefully, to see a full production of the finished version." And it really was exciting to see the polished production that this work has become in a year.

Diana Kaarina (Millie) and cast. Photo by Tim MathesonThoroughly Modern Millie
Book by Richard Morris and Richard Scanlan
New music by Jeanine Tesori and new lyrics by Richard Scanlan
Directed by Shel Piercy
Choreographer Shelley Stewart Hunt
Music director Christopher King

Vancouver BC:   The stage musical of Thoroughly Modern Millie was adapted from the 1967 film musical movie with Julie Andrews in the title role.  In the stage version Millie is from Kansas and has come to New York to find herself a millionaire to marry. New music was added for the stage version and  other changes made but for fresh-into-town Millie, a modern woman in the Prohibition era, it is still money not love that matters.

There are two interwoven story lines, both rather thin in content. Millie Dillmount (Diana Kaarina) , a naive new arrival in the Big Apple, encounters Jimmy Smith (Danny Balkwill), erstwhile paper clip salesman, who sends her to the  Hotel Priscilla,  a boarding house filled with young would-be actresses who can't pay their rent. Presiding over this seedy place is Mrs. Meers (Sarah Rodgers) who unbeknownst to the girls or Jimmy, is a kidnapper for a white slavery ring, and has just "disappeared" one of her residents.  In the meanwhile Millie is determined to win the heart of her new boss, Trevor Graydon (Seth Drabinsky) and marry him, whether she loves him or not. Into the picture comes rich girl Miss Dorothy Brown (Meghan Anderssen) to learn about how the not-so rich live. Graydon falls for her - but so does one of  two brothers from Hong Hong, working as laundry men for Mrs. Meers.   Well,  I did say  the story lines are weak.

However the performances are not. This is an excellent production. The standout performance of  Diana Kaarina as Millie is well supported by the excellent singing and dancing of the ensemble as a whole. I loved Shelley Hunt's choreography. The tap numbers made me wish I hadn't switched to ballet when I was five!

Haig Sutherland as Richard II. Photo by David BlueRichard II by William Shakespeare
Directed by Christopher Weddell
Studio Stage at Vanier Park
Bard on the Beach
till September 18, 2009

Vancouver, BC:
Vancouver's Bard on the Beach Company has undertaken as a "noble goal" to stage Shakespeare's entire dramatic canon by the 25th anniversary of the company, five years hence. As part of this ambitious objective, Bard will be presenting a cycle of Shakespeare's History Plays through the 2009 to 2011 seasons as discussed in my How They See It  Chat  with Bard Artistic Director, Christopher Gaze.This year's staging of Richard II starts this series of plays. While most people have some familiarity with the more frequently produced story of Shakespeare's  twisted, malevolent, murdering Richard III, I suspect that, like I until recently, they don't know too much about where Richard II fits into the whole English kings / Wars of the Roses saga.

Here is a bit of the pre-history.
King Edward III had five sons who survived to adulthood.  The oldest , Edward the Black Prince was the father of Richard. When the Black Prince died, Richard became the heir apparent and a year later, on the death of  Edward III, the 10 year old  Richard succeeded his grandfather as King of England. The country was governed by councils until Richard was old enough to rule. Two of Richard's uncles, John of Gaunt, a man of influence and power, and Edmund, Duke of York, and their sons also play important parts in Shakespeare's version of events. The murder of a third uncle, the Duke of Gloucester is the trigger that initiates the events in  Richrd II.

richWhen the play begins King Richard II (Haig Sutherland) has a problem.  His cousin Henry Bolingbroke (John Murphy) has accused Sir Thomas Mowbray (Craig Erickson) of murdering Riichard's uncle the Duke of Gloucester. Rumour has it that Richard had secretly ordered the murder. The king decides that Bolingbroke and Gloucester may duel it out, but before the fight begins, Richard exiles Bolingbroke for ten years and banishes Mowbray for life. Bolingbroke leaves, and shortly thereafter his father, John of  Gaunt (Duncan Fraser), dies. The King needs money to suppress a rebellion in Ireland so he disinherits Bolingbroke, grabs the estate and takes off to Ireland, leaving his uncle, Duke of York (David Marr) in charge. Bolingbroke comes back to England to demand his inheritance be restored. The populace support Bolingbroke and not Richard. The king's pals, Sir John Bushy (Craig Erickson)  and Sir  Henry Green (Ashley O'Connell) wont defend him. Having screwed up royally, so to speak, in Ireland, Richard arrives back in England with no army and no support.  He cedes his crown to Bolingbroke who becomes King Henry IV.  Bolingbroke expresses concern about his son, Henry,  who is running wild in bad company - setting the storyline up for Henry IV parts 1 and 2. Richard goes to prison to reflect on his life and folly but is murdered there by Exton (Craig Erickson)..  The new king  is "horrified" when told of the murder, exiles Exton, and decides to make a pilgrimage to the Holy Land to atone.  

Alls1All's Well that Ends Well by William Shakespeare
Directed by Rachel Ditor
Douglas Campbell Studio Stage at Vanier Park
Bard on the Beach
till September 19, 2009

Vancouver, BC:  All's Well that Ends Well is all about Helena, a young woman, in love with a man who is above her social class and can't see beyond her lower status to appreciate her many virtues. With a plot that incorporates common theatrical  devices of disguised identities, token rings,  and  a buffoonish braggart who gets his come-uppance,  Lois Anderson's vibrant portrayal of  the intelligent, resourceful, though lovesick Helena provides the  tensile strength that holds the play together. With every emotion, from adoration to pain, expressed with subtlety through eyes and  voice, she brings an innate dignity to Helena that makes it clear why she is adored by everyone except the foolish Bertram.

Nicole Underhay in The Constant Wife. Photo by David CooperLast night I made my way gingerly along a dusty, construction-damaged Granville Street, to the Commodore Ballroom where Vancouver's theatre community gathered to celebrate another year of amazing theatre.  It is always interesting to see how the nominations and the final award winners stack up against what I thought during the year of play-going, and  what details I can remember of the many productions. As well, the productions nominated are only a portion of the many shows staged here - Vancouver has a great theatre scene, and often I find that there are more things available to see than hours to see them in. Any way here is the list of finalists with links to those plays I managed to review during the year and featured pictures. Congratulations to all the nominees, and of course to the Jessie winners

Jessie Richardson Awards Large Theatre  2008-2009

Outstanding Performance by an Actor in a Lead Role
Jay Brazeau, The Drowsy Chaperone, Playhouse Theatre Company

Outstanding Performance by an Actress in a Lead Role
Jennifer Lines, The Tempest, Bard on the Beach

Outstanding Performance by an Actor in a Supporting Role
Simon Bradbury, Titus Andronicus, Bard on the Beach

Len Cariou and David Storch in Frost/Nixon: Photo by David CooperOutstanding Performance by an Actress in a Supporting Role
Margo Kane, Where the Blood Mixes, Playhouse Theatre Company & The Savage Society

Outstanding Lighting Design
Alan Brodie, Miss Julie: Freedom Summer, Playhouse Theatre Company

Outstanding Set Design
Ken MacDonald, The Constant Wife, Arts Club Theatre Company

Outstanding Costume Design
Nancy Bryant, The Constant Wife, Arts Club Theatre Company

Outstanding Sound Design or Original Composition
Alessandro Juliani, The Tempest, Bard on the Beach

Outstanding Direction
Max Reimer, The Drowsy Chaperone, Playhouse Theatre Company

Outstanding Production
The Drowsy Chaperone,Playhouse Theatre Company

Significant Artistic Achievement
Alan Brodie, Patrick Clark, Jamie Nesbitt,
Exceptional Integration of Visual Design,
Frost/Nixon, Playhouse Theatre Company

errorsetThe Comedy of Errors by William Shakespeare
Directed by David Mackay
Mainstage at Vanier Park
Bard on the Beach
until September 26th, 2009

Vancouver, BC: It's probably the quarter of a decade that I spent at the BC Childen's and Women's Hospitals that had me wondering what sort of whacky comedy the Bard could have constructed in today's obstetrical environment where twin births are  old hat compared to the birth of sextuplets, septuplets or even octuplets! Imagine the complications of mistaken identity that could ensue with sextuplets farmed out at birth - and they don't even have to be identical for their closest friends and lovers to be confused. Think of it. Folks couldn't even distinguish Viola from her twin brother Sebastian in Twelfth Night!

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