Guest review

I applaud United Players for bringing this intellectually engaging play to the Jericho Arts Centre.  The work of David Hare is always good for  lively discussion on the way home from the theatre.  But this production is like having three really nice, interesting people over for dinner; and you discuss politics, doctors, psychiatry, war, relationships, sex, marriage; and they stay way too late.  There is a lot of talk about  what is really going on during the evening with very little evidence of anything but talk. 

The set is crappy (and very cleverly designed), the costumes are deliberately tacky, there have not been worse wigs since Dynel was invented, the props fall apart, the acting is over the top, and my cheeks ached from grinning through the whole show.  This is cheesy as an art form.  The evening is a riot of bad puns, brilliantly bad acting, great singing and fun choreography. 

"We live our lives forward, but only understand them backward", says Anna (Medina Hahn) who then takes us on what becomes a waking nightmare, increasingly haunted by seemingly benign, Patrick (Daniel Arnold).  These two intensely talented actors, who are always surprising, are also the playwrights of this roller coaster ride of a play that explores the observer and the observed, the victim and the perpetrator, the dream and reality.

You take a brilliantly written script that turns the Judas Iscariot story inside out, set it in a court room, lace it with profanity, people it with some of the best actors in town, and you have a riveting evening of theatre. 

This is dance theatre that you can take your husband to….and your teens…and anyone else you can think of.   The opening offering of the Cultch Family Series is a knock-out.  The re-furbished Cultch main stage was bathed in the light of a thousand candles being arranged and moved about by the seven members of the company, the men in jeans and the women in point shoes, as the audience entered the theatre.