June 2008

Vancouver, BC: The Back Kitchen Release Party has evolved from a successful Fringe Festival play, workshopped in the ReAct series, into a production on the Arts Club Granville Island Stage. It is tantalizing to see a play that is so nearly there but not quite and trying to figure out why, despite enjoying the spirited and high energy performances of the ensemble, I left feeling that there is still something incomplete about this work.

This will be the index of postings to the Travelblogue that documents my visit to London and Cape Town. The nature of blogging results in the latest posting appearing first on screen, so that later events appear first. This Travelblogue index will list the postings in chronological order from leaving Vancouver to the termination of the trip, as a guide to your reading. Until the index is complete note that the story commences with this post.
 

Vancouver, BC: I first read King Lear as a high school student, more years ago than I care to count. It was my introduction to Shakespeare and the start of an enduring interest in his plays, the tragedies and history plays perhaps more than the comedies. I have seen several productions of Lear, studied the play in an undergraduate course and continue to find it one of his perplexing and interesting plays.

Vancouver, BC: Last year’s Bard production of Taming of the Shrew was one of my all-time Bard on the Beach favorites garnering a rave in my Rants, Raves and Reviews column, but David Mackay’s production of Twelfth Night has displaced Shrew from number one on my BOTB hit parade. And this, despite the fact that in more than a decade of seeing performances in Vanier Park, I have never been as miserably cold as on Thursday’s opening night.
 

Vancouver, BC: I have been following the evolution of the Walking Fish Festival with interest since the first one was held at the Playwrights Theatre Centre on Granville Island in 2003. The festival is billed as showcasing emerging artists, and the format is three sets, each consisting of 3 or 4 short one-act plays that can be staged with minimal technical needs. Although I usually like to attend on a day when all three sets are performed, this year I was only able to see sets A and C. Several plays were particularly successful in capturing my attention.